Saturday, January 13, 2007

Not The Last Poem, Just The Most Recent

It's seven o'clock and I'm thinking of you
Now eleven fourty-five and I'm still blue
Six A.M. and I'm getting rather restless
Nine twenty-three and I'm ready for bed and undressed
Twelve thirty-two and my hand is on the phone
'Cause I'm finding out how badly I deal with this so-called
"Being alone"

I claim to be a poet
And friends tell me, they know it
But poetry is more subtle than I thought
It's not a magic cureall
It doesn't show the way
Just where you've been
And where you are
But no one can say where you're going
This way, or that way?
The right way? or the wrong way?

I'm not sure, but I think the record of my life is skipping
And inside my reputation is all awry
I can't keep fighting an enemy that I can't see
Maybe it was never there at all………Baby, I'll fake I'm happy
To match everyone else around you
But this act is already getting old
And the world outside isn't snowy
But it's a sight too cold for me

I may have already said it
But you might not have understood
So I'll say it again
"This act is already getting old
And the world outside isn't snowy
But it's a sight too cold for me"
Looking at the sky
Alone with you, except for your lover boy
Who keeps hanging around beside me
I'll forget who I am eventually
And that'll be the best moment of my life
Until, of course, I realize what I've done
And just how much I've lost

I use words, nothing else
And I'm trying to make your heart swell and burst
Sting your eyes with tears
And when you realize how high in regard I hold you
I know you'll break down and cry
And if you haven't yet, then you haven't found out
But it's just a matter of time
Of seconds, minutes, hours, years
Before you finally take the ear buds out
And stop for a moment to really hear (what I've been saying all along)

Friday, January 12, 2007

Oh So Much

I'm oh so eager
To hear you tell me why boys like me
Are worth our weight in words
And I can't wait
To find out why someone like me
Isn't worth the surplus time that's yours
When you go to home, (where you no longer belong)
Can you call me and say you're happy with a straight face?
Cry my baby, cry
'Cause you'll never be able to tell how much I care
(Hint hint; I'm a liar)
Summon up your inner demons
And tell me where it hurts
I'll do my best, you do the rest
And maybe you won't come out in last
I have to laugh when I see you cry
Though it breaks my heart inside
Because you never admitted you had time for me
So I'll never admit I only leave time for you
We both love each other oh so much
But being shy like how we are (both of us won't accept it)
We act as if we hate it
Trying is hard when you try to look like you're not
And pushing closer to you is harder when
The world will kill me unless I pull away
No one hates the fact that I love you
Half as much as I hate it myself

It's Seven O'Clock...

It's seven o'clock and my heart is half-breaking
And I can't stop my limbs from shaking
I've got the words, and I've got the style
What I haven't got is the chance to live your life for a while
When I'm around, please
Restrain the love you feel for him
I love you too, and it feels like a sin
But how can I stand here with my half-broken heart
And not feel the pain when you shake me completely apart?

It was warm in the basement
And you're hot and on fire
(Well, you're always hot, but we're talking heat now, not desire)
So you take a nice long walk outside
Without a coat, so you can reflect on what happened inside
But the heat fades away
And the wind turns cold
You find yourself chilling
Outside my house, our old
Hangout, happy place, where nothing went wrong
Until that September day when you left me for a song
I see you outside, freezing to ice
My good side asks you in, my bad side says, "does it feel nice?"

We can't be ourselves when we don't know who we are
Life is a journey, and my tired feet say it's too far
But I'll keep on walking on
And nothing'll stop me now
But the memory of what I felt for you pulls on me
Trying to pull me back
And how!
How can I talk to you with a half-breaking heart
When the love in your eyes when you look at him tears me apart?

Wednesday, January 10, 2007

Would You Like To Hear My World?

Maybe, say
"Have it your way"
And I'll run off with everything that isn't nailed down
Sentimentality is a word I misspell
You're so pretty, it's like the sound of a bell
If I start to ramble, that's just who I am
And how fast I'm slipping
Oh, I feel obligated to make you mine
But the part of me who says everything quiet
Hopes that it's only some passing aroma of wine
Drifting through the banks of my memory
Oh, this life of mine
I need to share it with someone
'Cause, you must understand, I have everything in mind
Literally everything
You ask what that means? I'll tell you
I'll tell you when we're alone
And the sun is shining, birds are singing
And I'll take the key to my mind
From behind your ear
I'll tell you everything you need to know
I'll let you in on everything
Everything in my world
In all the worlds in my mind

Thursday, January 04, 2007

I'm A Liability, Not Your Best Friend

I'm a liability, not your best friend/Little darling, hang with me, you'll probably come out dead/I'm liable to catch you in the crossfire/In the guns and lead/Loyalty is stupid when the world wants your best friend dead

Don't watch out for my best interests/I ain't looking out for yours/And please avoid sentimentality/It'll amount to nothing more/Than a few extra tears at my funeral/Or ask for mine at yours

I'm a liability, not your best friend/Little darling, hang with me, you'll probably come out dead/I'm liable to catch you in the crossfire/In the guns and lead/Loyalty is stupid when the world wants your best friend dead

Forget you ever met me/Forget we ever loved/You'll end up sacrificed/A poor, shot down dove/Put down the three red roses/I'll put down my gun/We'll both walk away from here/Without hurting anyone

I'm a liability, not your best friend/Little darling, hang with me, you'll probably come out dead/I'm liable to catch you in the crossfire/In the guns and lead/Loyalty is stupid when the world wants your best friend dead

Darling I'd love to hate you/Then it wouldn't be this way/We wouldn't be parting at heart-point/I wouldn't be hurting you this way/Remember, don't get sentimental/It'll take you down/Maybe you won't accept it now/When you're dead you'll come around

Wednesday, January 03, 2007

When The Summer Ended?

We keep pounding away at everything
In the sunshine of a remembered summer
Where the colors are brighter,
The whites are whiter
And the night has that cool-air smell
When you're small and safe
And have no fear
When you sit outside and watch the moon appear
Nostalgia appears at a surprisingly young age
When the culture claims memory loss is all the rage

I keep pounding away at life
With scenery calculated to cause strife
But I ask you: rip down the curtains
Let in the light
Let the whole world fill up with that luminous night
I'll keep on wishing you were here
Inside my memories
And I'll keep on wish I could be there
In my memories
Come on in, the water's fine
It has a heady smell, like ancient wine
Spill the passion, enter the play
In my scientific braincells lie the key
To paradise: to memory

Tuesday, January 02, 2007

The Oldest Tree In The Forest Bleeds Our Bloody Initials

Somehow a distant hill calls me
With a literary reference
But the house across the street shouts out
With one heck of a party
The lies you weave are oh so intricATE
Burn up in the sun of a dark moon
And you forget where you stole your life from too darn soon
Soundless bullets hurt the worst
Your lead will lie in my heart for eternity
Nothing is real, nothing to get hung about
But everything still hurts the worst
Read between the lines
Of the next stanza to come

Blow yourself up
(Hearts are painful, yes?)
With a French grenade
(Caught the first one I threw, are you up to catching another?)
The players sweat, and drink Gatorade
(You'll be buried under the yew tree, in pleasant shade)
How ye been, the old man says
(He's a killer in disguise)
Whenever I think of you, two songs play on repeat
(One's called love, the other's called lust)
See above line when you see the one below
(Don't ask me which is stronger, they're siamese twins)
I'm watching when you sleep
(Holding your dreams and watching your body)
Oh so now you're in charge of your life
(I don't think so, missy)
Apparently you forgot who got you where you are today
(Just where I want you)

If you read between the lines
In above stanza
Remember what I didn't directly tell you
Face to pretty face
Can be a lie or mud
Or perhaps a bottle of blood
Put your ear to the ceiling
You can hear the vampires singing
And we all love you
Or the person who tells us pretty lies
And sneaks and tells us we've won the prize
But it's just a consolation one
Maybe if I played lead guitar, you'd love me
But electric ukulele never got the babes
The most important word in this song is the only one you missed
And I'm gonna take my life tax from you
Alone, in a dark room
When you're outside alone, the only light for your autobiography
Is that cold blueish moon

Monday, January 01, 2007

Spinning With ?Madness?

Don't say you're crazy
You know nothing of madness
Spinning red, in my head
We're all oh so intricate
Complex puzzles, smashed to pieces
Oh, oh, oh, (headaches, breaking me to pieces)
Shake the world, wake them up
Then vomit into the street (you can't survive here, but you don't fit into anywhere else)
Look at your feet
Look at the bullet lodged in your head
Teef ruoy ta kool
Deah ruoy ni degdol tellub eht ta kool
That's just ducky, 'cause I only work here
Don't forget what you came here for
Don't forget who you are
I did a long time ago (oh, oh oh)
Angels, demons, arms dealers and health inspectors crowd around
Put my ear to the ground, I ask for it back
Wow! question for the teacher; why are we testing you?
And why am I crazy? I gotta broken brain
And and and and I would be put to death for what I think
Except that it's only my "condition"
Oh so darn intricate is the universe
I think I may have broken it
I can't help thinking in lines and colors,
Humans are oh so intricate (funny how mad men know everything)

Friday, December 29, 2006

Misread By The CD Player Of Society

When we go down/We're not catching fire, we're putting ourselves out/And we aren't goth/Just a little dark on the insides/The ones we keep so close inside

I see you watching me/Staring into my corner, staring like it's a freak show/But you can't disguise the hungry look in your eye/I'm just too uneven for you/Too low socially, too high mentally/No, I don't fear being along/I'm loved by someone who's too good for airhead society/And longs to be accepted and one of you/But I don't fear being alone

We don't listen to your music/We don't buy your favorite brands of clothes or philosophy/And we have the means, just not the inclination to make our greatest wishes come true/We're too lazy to rule the world

I see you watching me/Staring into my corner, staring like it's a freak show/But you can't disguise the hungry look in your eye/I'm just too uneven for you/Too low socially, too high mentally/No, I don't fear being along/I'm loved by someone who's too good for airhead society/And longs to be accepted and one of you/But I don't fear being alone

We love too hard to be on of you/Unlike you, we can only tolerate the truth/You're fed on lies and styrofoam/While we manage to get by on life

Thursday, December 28, 2006

The Sharp Smell Of Magic

The smell of you on me makes my head swell
And the lights blink; magic
Oh, everyone deserves a friend like you
Or at the very best, an enemy
Because the Christmas lights hung from your head
Remind me that you're the last person to know me
For who I really am (or was before you)
Get up, stand up, drop up
Dancing on the wall, forgetting who is home
And the scent of your hair makes my head spin
You have know idea how much trouble I could be in
If I remember that I live in the smell of hairspray
And the sound of good girls, anti-you's
The ones that don't know how to party or how to forget
But the lights blink; magic
And out of all the hundreds of people currently interfering with my life
You're the only one I can see (or touch)
This has, gone on, far too long for me to hit restart
I can only love you from backstage
'Cause I keep the show running
While your reputation should be running me into the ground
Tonight, you keep me up with concrete pillars
Just being friends is too unfriendly, how about you come with me
And we can go love each other underneath the highway
And watch the river flow and the city lights glimmer
And fight off questions about where we've been
Everyone who writes poetry like mine
They deserve awards and a lover like you could be (if you kissed me)
Keep on driving me lazy, I'm too crazy
To pull myself out of the magic back to where I came from
Well, I'm offended you consider me your friend
Because I consider you my reason for living
And my life with reason
When all's said and done, you feel too good
And your hair smells too nice for me to call it a sin

Wednesday, December 27, 2006

Our Self-Made Tragedy

We try act happy over the snow you brought me
But I can tell from the fake smile on your face
It's only rain
So when we lock ourselves up in ice
We only have each other for warmth
And only each other to blame
But I keep my anger and frustration close in tight
Because it's all you won't steal from me
Come sleep, come sleep all day
I'll be running, far away
Nothing's as good as you (or as painful)
You look so blue
Freezing in your own rain
Shower us in your numbing pain
Come on, please let a cliche come between us
And block out the scent of the cold kerosene
The flammable substances wrapped in slush
The car hits, as the audience hushes
People stare, our life rushes
Rushing through the motions of this never-ending dream
Have we broken up again, I can never tell
Because if we have or if we haven't you keep nailing shut my coffin
But if you say it makes you happy
You're either a liar or a sadist
My diary lies unused
Because to stop myself from being a failure every day
I swallow the ink from my pen
You're my only regret and my biggest mistake
And all I need is someone
Who looks, acts and thinks nothing like you
The man with the shotgun killed the cat
And the world's best secret is that you cut out my heart
And keep it in a hat, hung up in your closet
You couldn't even hide it well, because the part of me that loves
Isn't what you value, or want to keep around
Take that

[part two]

I'm keeping quiet
Not even breathing
Let no one know I'm here
Angel, demon or woman
I don't know which I fear
Staring up at the lid of my coffin
Feeling the words you carved there, and the luscious dark wood
And the thick air
Hiding underground, where you put me
And where you'll leave me be
Sometime I'll just stop breathing
And I hope you choke on the cool night air
Let your conscience fasten itself around your neck
I'll gladly watch you sink and choke
If only to have the hurt laid bare

Saturday, December 23, 2006

Bigger And Better At Being Worse

Oh, don't be sarcastic
Please I'm asking you
Because you're making a complete mess of it
I should let you know, we're playing on a level plain
'Cause now I match you pound for pound in substance, style
And cynicism
You just like him so much don't you?
The blond pretty boy, I could make him look blue
And I would, just for to hurt you
But he can't help who he is
A pretty looking boy with a pretty empty head
And a laugh that sounds like something's about to be dead
He's just a cardboard prop to me
I could break him, just to hurt you
As you can tell, I'm not your old polite little yes-boy
Your executive toy
Your wind up, throw away action figure
Now I'm a little bit older
A little bit colder
And a little less naive
You can't control me anymore
I'm not chaining myself to anyone anymore
I've come back from the grave you put me in
And I have something to tell you
And it isn't going to be pretty
Ah, for Christmas Eve
It sure is chilly

Hide Within My Rock

Don't yell at me for who I am
That's wrong, but don't expect to find out from me what's right
I only know that if I still talked to you
I'd still be crying every night
And if you never love you never cry
And never have to watch her die
Broken in your arms
So that's why I have my walls
My caller i.d. and deadbolts
So I never have to love, or cry, or wonder why?
Why?
It's a paradise, I tell myself
And after all
I have my poetry and books to protect me from outside thoughts
And my music to talk to and guide me
I never will see you again
We'll never be anything, not even friends
So don't talk to me again
My perfect life has no room for lovers, or friends

Thursday, December 21, 2006

Nobody Likes "Maybe" Backed Into A Corner

We don't care about who we are
(simply because we can't be who we want to)
You're my best, closestest friend (in my head)
But in real life you're almost as far away as dead
(how happy we are in my head!)
When you feel blue like me (the sea)
Everything rhymes with death
And you can't cry, cause the tears won't come
The human race has already used up its allowance of salt water
Poor me/poor you/poor we
Light you on fire in effigy, leave me be
Leave me the person I want to be
The one you kicked off the hayride
You're my best mistake for ruining my life
You could ruin my life (because you're so pretty)
Keep quiet, I've kept quiet, like little boy blue
You like him don't you?
You loose the color blue from underneath the rock
It was buried under
Christ
You're great
Working for us sinful little people
But I light matches in the wintertime, just to keep my head on
And the snow outside, where I belong
And why does "flowers" rhyme with death?
And why do I hear your voice every night when I try to sleep
You'd weep, like I can't, oh wait, I'm a tragic poet, I forgot
Can I lie like I'm happy with you to the world?
Because you're the last locked door between me and you
Douse the wick in kerosene
Lit like a candle
Douse the wicked kerosene
It's all that's keeping me rambling on
Don't say that poets can't dream
I've dreamed up more than life could ever create
Thank God for imagination
Thank evolution for opposable thumbs
Thank me for not shouting it all out on a rooftop
Because then the world would never let us be
But it never leaves alone
Such farsighted, insighted, uprighted boys like me
I look so good in shades of blue
So do you

Wednesday, December 20, 2006

On Politics, or, You #$%3ing %#$^ $#$%%$^!

Ah, politics. Something that deeply divides the nation. And all nations. And the world. Why is this, you may ask? Well, I might have found the answer. People are thick headed jerks. I know some perfectly nice people, who, if politics is talked about around them, will immediatly turn into the most venomous, disgusting show of intolerance. They refuse to behave civilized about it. If you're going to be a jerk, don't talk about it. Sounds easy, right? Ha ha ha. Not so. Usually, the worse a person is, the more he or she will be attracted to it! But here's a good rule of thumb for gauging people's political hatred level. If they start talking about politics without anyone bringing it up, and their talking about it is very snooty and down-putting to their opposition, quickly tie him or her down, gag the person, and run away as fast as you can. Nothing good can come from these people. The problem with politics is that the majority of people do not realize that the people with whom they differ in politics have legit reasons for their views. Different reason than you have, correct, but legit all the same. Because they don't get this, Democrats are accepting and tolerant of everyone except those who have even a vaguely conservative attitude, and Republicans see themselves as protectors of all that is Good, American, and Holy. If you never hear me talking serious politics to anyone, don't be surprised. I don't want to force anyone to publicly declare themselves an ass. So, just remember that. The person on the other side of the table isn't Satan. He or she is someone just like you, only a different shade of red or blue.

Monday, December 18, 2006

The Ageala Mahor Conflicts, part 1.

The surface of Ageala Mahor shines and wavers through the outer layer of the atmosphere, like the air in a desert. On the surface, though, it's cool and wet, for the rainy season has just departed. And in opinion of Private Herring, Amphibious Ambush Troop, it's just a sight too cool for his liking. "Sir, permission to speak?" The request was answered by a gruff "Permission granted" from Sergeant Maliffso, Amphibious Ambush and Assault Extraordinaire. "Sir," said Private Herring, "isn't it going to be great when the weather control station's up?" The cold stare he got in reply said, very clearly, no, it will not be great. "Keep your eyes on the water private; the last report said the sklinterrs are coming this way." They were on the edge of a rocky cliff, the abrupt end to the ground. Below the cliff was the clear blue Agealian sea, and somewhere in there was a group of sklinterrs, surging through the water, their sole aim being to attack the nearby United Base. Sklinterrs are one of the strangest death machines; they are individually two foot long sharp metal splinters, yet they can bind together to form shapes for traveling. In water they form a vaguely dolphin-like shape, and on land they can create a flowing snake. When they reach their target, they split apart, and fly through the air, spinning wildly. While doing this, they can shred nearly any material apart. And this is why Private Herring and Sergeant Maliffso were stationed on the edge of a sea cliff, with an amphibious missile launcher for each of them.
As they waited, Sergeant Maliffso watched Private Herring; "The boy could be good," he thought to himself, "but he seems to be rather easily distracted. I wonder how he'll cope with his first battle." They stood quietly, then Private Herring sunk to his knees. "Private?" Sergeant Maliffso asked. "Praying sir; I had a sudden resurgence of Sunday school memories." "I see. Well I would- Get up Private, they're here." Two large dolphins had swam into view. Or at least, they were shaped similar to dolphins. The machines were about three times larger than the average dolphin, and made of a shiny platinum-looking metal. "Get ready to fire, Private, but don't alert them to our presence." "Siryessir. Preparing to- oops." The missile cartridge slipped out of the Private's hands, and crashed upon the rocks below. The air briefly turned yellow around where the cartridge hit, then went back to normal. "Wonderful, Private, just wonder-" before he could finish his sentence, several sklinterrs detached from one of the groups, and launched themselves out of the water towards the Sergeant's head. He dispatched them with a missile, and began to reload. But before he could fire more than one or two missiles, the sklinterrs had already reached the cliff, and were flowing up in rivers of liquid steel. "Damn, we can't hit them from here; the angle we're at will just ensure we miss if we fire. Come on Private, it's time to retreat back to base. Run!" They took off into the forest, running for their lives. "Drop your weapons Private, they'll just slow you down!" "Yessir!" They let their weapons drop to the ground, just as they heard the whirring that meant the machines had gotten up the cliff and were already ripping apart the vegetation.
After only thirty seconds or, an explosion ripped out as the sklinterrs hit the guns; a high pitched scream went up, and then they got angry. They split apart, and spread through the jungle indiscriminately shredding whatever moved. "Get into a tree Herring, we'll be able to hide from them that way!" "Yessir!" The Sergeant swiftly clambered up a tree, but as the Private grabbed onto a branch, it snapped and he tumbled to the ground. He got up and made a leap for another branch. He never got there. A sklinterr came out of the undergrowth and drilled through his chest, killing him instantly. The sklinterrs came back together, and flowed on as the snake form toward the United Base. The Sergeant marked the place where the Private had fallen, and came down from the tree. He started running off to base, taking a circuitous route to avoid running into his previous pursuers. "Sorry kid... Bad luck." He thought to himself as ran, "But I'll be back for you. Though what needs to be done now is save the Settlement; your corpse can come later."

Saturday, December 16, 2006

You've Been Here Too Long

Don't forget what you came here for
Just to walk through that open door
You're just lingering here
In a world that isn't real
At least, not for you
This is my own world, why won't you leave?
For you it's just a passage to somewhere else
Or should be
Why won't you leave?
You're the only thing I can't erase
I just keep telling to you're gone
But you've been here all along

Thursday, December 14, 2006

A Love Story

The house was lit up, all the windows letting out light and the joyful celebration contained inside shown to all the world. The house had been keeping all the heat and happiness bottled up inside, except for a few snowballers with a lust for the icy cold feeling you get when a snowball hits you square in the back of the neck and drips down your back, but they had all gone inside a long time ago. Presently a car came up the hill, its tires slipping a bit here and there, but making it despite the adverse conditions for driving. The car pulled into the already over filled driveway, and a young man got out. His face looked about twenty or so, but it had that curious, utterly contented look that usually only comes to a person after a lifetime of joyful marriage. The man and that curious face made their way up the steps to the house, and quietly inserted themselves into that festive gathering.

Hanging up his coat on one of the already overfilled pegs in the hallway, he walked into living room. He was greeted by surprised and happy exclamations, and he returned them with merry hellos and how are yous. He wandered from room to room, inquiring, Have you seen a certain person? but no one had. Finally he came to a room at the back of the house. As soon as he opened up the door, a guilty silence came over the room. That feeling that comes when the witnesses to something suddenly realize they should have done their duty and intervened, but did nothing. Anyway, in the middle of the room were a young man and woman, kissing fiercely underneath the mistletoe. The intruder stepped forward and said, "I made it! And I see you've met a new friend." She quickly pushed her mistletoe lover away and responded, "Oh, um, I can't believe you got in! I thought your flight was canceled?" "I did too, but they decided to try it. Can I talk to you?" She left the other man underneath the mistletoe, and followed her fiance out of the room. They walked to the front hall and collected their coats, and made their way outside.

They started walking aimlessly, in no particular direction, but eventually, they found their way to a line of pine trees, cut off from view of the house. Tired, she sat down on the garden bench underneath one of the trees, while he remained standing. She watched his back as he watched the stars, then let her eyes drop as he began to speak.

"You should know, I still love you. I don't care what reason you had for kissing him; if you had one and what it was are nothing to me. I love you, and that's all that matters. Love connects you to someone in a way that is so deep, so strong, there is no way we can even comprehend it. If we were to die right now, and you were sent to Heaven, and I was sent to punishment in Hell, my voice would ring out across that great void between the two realms, and I would be happy, knowing, even as I burn, that you can hear my voice and I can still speak to you and tell you I love you. Love. I would give everything I can for our love. If I had all the power in God's universe, and could smite all life or make all the suns go out at once with a blink of my eye, I would do it without a thought for the consquences if you wished me to. I would undergo more pain than my physical body can bear; I could not be happy without you, even in paradise. What does it matter to me if you kiss one man; what does it matter if you make love to a thousand? I Love you, I've welded our souls together, and if you stray or if you stay by my side, it will change nothing between us. I know what it is like to be God, for my love for you closes in upon the Love He has for all His people. I Love you."

She replied, "I must have had too much eggnog; anyway, just before you came into the room, it was he who came up as I was walking under the mistletoe and kissed me." She began to cry, and he moved with infinite care and tenderness to comfort her.

Thursday, December 07, 2006

Smile, Princess Suzy

Oh, just smile/I want you to smile, princess Suzy/The lords and ladies are anxiously waiting/Oh smile lovely Suzy/Shower the kingdom in sunshine and roses/Smile, princess Suzy

Oh happy lovely Suzy/She's the Queen's little girl(God save the Queen!)/Dear precious Suzy/She's the King's whole world(God save the King!)/The hopeful princes gather/From out of far off lands/They all come together/To kiss her dainty hands/God save Princess Suzy!

But the princess Suzy/Is sad and dismayed/Her pretty pet piggy was shot in a glade/He was roaming in the forest, and was mistaken for a boar/Shot in the side, never to grunt no more/Smile princess Suzy, though thee be sad/And your pretty face/Shall make the world glad

Saturday, December 02, 2006

Smile On Ice

Whenever I see your smiling face/I have to smile myself/Because I love you, yes I do/But at the very moment when I smile at you/You turn my whole world blue/'Cause you're ice/You're cold/You're the one I want to hold/But if I do, I might freeze on you/And never
be able to let go

You're so beautiful/The world should obey whatever you say/But it won't, because nature doesn't work that way/But you can still freeze it, that's true/'Cause every time I look at you/My breath stings in my lungs/My heart skips a beat/My skin grows cold/But I'll never grow old/Because in those moments/I can feel time slowing down/The cold of your smile stops God's clock going round/The world stops for a moment/Then jumps back with a start/I can't take all this shuddering/It's making me come apart